EG: What drew you to direct Wildcat?
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What types of shows or themes are you most intrigued by?
I've been involved in theater for about 20 years now. I think the main reason I've stuck with it so long is that I like variety. I like being able to research and create in a specific period or environment intensely for a few months and then get to move on to a completely different style of theater. I find it liberating and a wonderful opportunity to learn about things that I probably wouldn't have had the time or energy to look into on my own.
The last Moon show I directed, for example, was set in 1912 (like Wildcat), but it was much more of a New York society farce than the Wild West, rugged feel of Wildcat. Hardly any elements of design have been used in both. I like to let the theater take me on the ride according to the task at hand.
What was your reaction to finding the Moon after moving to San Francisco?
It was wonderful. I, in a way, bumped into it. I was just auditioning wherever I could and the Moon happened to be looking for someone to play Harpo Marx in their production of Minnie's Boys. Stephanie saw me at a general audition and they had me come in and read. I fell in love instantly. I guess you could say I'm sort of an "old soul" and, especially as a performer, I absolutely love the classical musical theater style. It's probably because a lot of it is so heavily influenced by old vaudeville acts. I found myself playing roles at the Moon that were originated by people like Jimmy Durante and Willie Howard. Where else do you get to have that much fun?
Not many places, I’d say. You can read more of Kalon’s joyous takes on musical theater on his personal blog and see it on stage when Wildcat opens on May 7.
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